UAD Signature Edition Version 2

The DBX 160 has been for years one of my favorite compressor.
I used it in projects ranging from Phillip Glass to Will.I.Am, John Cale, Tom Verlaine and many other.
Thanks to UA for doing such a great job recreating that wonderful unit with such precision.
Patrick Derivaz
www.patrickderivaz.com

le top niveau pour le grain anlogique, je ne connais pas mieux, quel chaleur et
rondeur il apporte au mix et meme en mastering, c'est exceptionnel,une fois
mis sur un master de bus ou groupe impossible de s'en passer. une de mes armes
secrete.

This is the real deal now. I liked the old 1176 already and used in all of my productions until now, but this Collection tops it up - big time! The "silver" for the classic old-school crunch, the normal "blacky" for vocals and everything and finally the long awaited AE Version in super "Slo" mode for drums! love it! Thanks!

David Koch - DeWalta

I've been using Nebula tape sims for a while and I totally failed to demo the UAD Ampex because I figured that I had enough "subtle" tape sims. And of course the Ampex *can* be subtle but it can also be quite obvious. More so and more pleasingly than the UAD Studer (in my opinion). I use the Studer, the Ampex and Nebula now. Not always all of them on all projects but if I had to choose to keep just one of the three it would definitely be the Ampex.

Looks expensive but finally an affordable and painless solution compared to OTB summing. Good Results with the ergonomics of a plug-in.

Only 3 steps to follow: 1.Activate demo. 2.Listen and test. 3.Buy it. No comments!

The legand continues. I have tried several 1176 emus from TC powecore's 24/7, Sonars PC, IK and even the UAD original. UAD was always a cut abouve the others. The new collection is the finest 1176 emus in existance today IMO

I am a long time UAD user, from back when it was still a Mackie card. I also own some hardware from UA including a 2-610, LA610, and a 1176ln. I recently traded my UAD1 card in for a UAD2 solo to add to my existing UAD2 duo. I got a $50 coupon and decided, what the heck, I will get the 1176 Classic Limiter Plugin Collection because I use and love the original so much. Honestly, I was not expecting too much, but wow, I am blown away at how much better these plugins sound than the original 1176ln plugin. They react much more like the hardware unit. Also, these are not the same plugin with different graphics. Each one has a unique character. For me, the Rev A for drums, the Rev E for bass guitar, and the AE for vocals. Worth the upgrade.

The AE-Version has an excellent sound beyond every compressor i own until now and way ahead the initial 1176LN plug-in. Great job!

I was immediately impressed by after inserting this across my mix buss how the sound took on a certain sheen, presence , warmth and punch !

You can mix into it and use it as channel inserts. It is versatile as it has presets, plus you can play with the imput(clean or distortion), output levels , speed, bias and eq and delay.

If there is one UA plug to buy, imo the Ampex is it !

p.s, plus it gives a little compression variable by input settings so very useful across the mix bus !

Kcat

Probably the most realistic plug-in I've heard so far - and I have a huge number from Waves, and several other excellent companies. Having worked countless hours for over three decades on analog tape machines by Ampex, Otari, MCI, Studer, etc. I haven't been convinced until now. I think UA did a remarkable job with the ATR-102, and the positive quality it adds to my tracks (especially in Mastering) is significant. Thank you for this wonderful addition to my arsenal.

Rafael Carmany
Cobalt Creative Recording Services

After using a DAW for the last 12 years and not getting to use tape, I've forgot how it just glues it all together. I always loved the sound of Bass, Kick, Overheads, and Acoustic Guitars on tape. The Studer A800 was one of my favorite machines to print to as well, UA hit a homer with this plugin. There aren't many plugins that take me back to times in my tracking or mixing but this one did. That Fat Warm Vibe was present after doing a mix with this plugin! The best part about it is you can totally use different formulas for different instruments! Kick on 456 +6 and Acoustic on GP9 +3 Bass on 900 +7.5 that is a great amount of flexibility that the analog world can't give. UA is a great company that moves to get better and better. WELL DONE

I couldn't wait when I saw this opportunity:

25$ voucher plus 50% off in June, this constellation dropped the price down to 55,99.-$ for this amazing plug!

I had the LA-2A already before and then watched the great video of Glitch Mobs' tutorial and a desire was born.

Powerful, easy to use and great sounding make this plugin to a must-have...test it!

Amazing sound! fat, and can be dirty as i want... but natural...

All I can say is WOW! Just got it, fired it up and did a couple of vocal tracks just fooling around (like testing) and again, WOW! I CAN'T WAIT to get serious with this plug-in! I would give it 10 stars, if I could (or a hundred, a thousand, whatever!).

In the late 80's, the studio where my group and I used to record had two of these machines (and a Trident console). There is NOTHING like 'em!!!

I also can't wait to get the 2 track, analog tape recorder plug-in from UA. I read about it and saw the demos and I'm ultra jazzed about that one too!!!

EB
From The Hip, Inc. Animation Studios
:-)

Love the Manley Massive Passive EQ for mastering and mixing jobs. Provides silky smooth control over the audible spectrum. If there is a need regarding eq... the Massive Passive has a knob for that.

Very flexible. If I'm dialing in enough reverb because I want it conciously heard I use the Lexicon 224. Clean and clear all the way to the end.

The Studer A800 plug-in is one of those "must have" tools.

I've been amazed at how things can be rescued simply by added this to the insert. I also use it across the mix bus to eliminate that digital harshness that typically builds up over the course of an "in the box" mix. It's amazing.

I had the opportunity to purchase an actual A800 several years ago for a mere 5 grand but it needed a $24,000 head block replacement so I gave it a miss and was very disappointed.

As far as I'm concerned, I now finally have one with this plug in, only without the $300 per roll tape costs and $500 monthly lineup fees, and I'm not limited to just 24 tracks.

This plug-in combined with the new Apollo is the game changer the industry has been waiting for.