UAD Signature Edition Version 2

This is my favorite reverb! Used the hardware version years ago and can't believe how accurate it is.
Highly recommended especially if you are doing any kind of blues, R&B, or roots music.

this is the best emulation of 1176 limiters ever released!

You think you know reverb.....then you use the Lexi 224.....it's professional, easy to learn and a definite for vocal tracks. Smooth and pristine, worth the investment.

Wow....tape mastering on a computer. Didn't believe it was possible, now I know it is. I keep it on the final mastering and have been blown away. Invest......enjoy!

1176 Classic is very good plugin .... I use it for everything.

I'm in love. Everything gets mixed through this plug now. I love having it on the master buss. I feel warm just knowing it's there, all aglow & spinning. Nice big soundstage, creates that wide extended frequency response you'd expect from Ampex. I'm personally loving these new digital/vintage type tools. the UAD2 Ampex goes on every mix, I don't even have to think about it. Set it & forget it....how did the mix get that much easier to sound like that? Thanks again UA for such brilliant processing.

What can I say? I just love this plug in so much. This one is worth the price of admission alone. How else can you buy a pristine 24 track machine with no repairs or maintenance for $2000? This gets a lot of use in overdubbing when I'm trying to match the MCI tape machine I use for tracking & everything just melts together like you remember it. I really like the ability to easily change tape & calibrations, it's just unheard of in real life to do so fast & creates real tone shaping possibilities. I see on the forums posts saying "do you ever use this thing anymore?" I just don't get it. My answer is YES YES YES! I'll be using this one proudly till my days in audio are done. Thank you UA for making such invaluable tools!

Major upgrade to my "bread & butters". The impact on my mixes were heard immediately. I use less vibe plugs overall as I'm dialing that in with all the options I have available in the 1176 collection. The AE is a great plug for EVERYTHING, just clean gain. The Rev A is great for adding warmth & heat & the LN Rev E is just your classic 1176 that grabs like we remember them. I want for nothing now that I have the 1176 collection in my arsenal. I feel like I can do an entire mix with them alone. The UAD Fairchild still gets some love & the excellent Softube FET gets used for parallels & backing tracks, but the heavy lifting duties, I know what I'm choosing first. Be careful with that demo button, once you hear them...

Incredible emulation. This one is just about indistinguishable from the real thing (in fact, despite having extensive experience with the real thing, to my ears it is)... Some things are a just slightly a little less than the real MP, but this also seems to have a bit of smoothness or sheen somewhere that the real MP doesn't. Hands down an acceptable alternative considering the price difference and ability to run multiple instances (well, sort of... I have a UAD-2 quad and can only run a small handful of these and other plugs). Excellent new addition to part of my "mastering chain" though, and hats off to UA and Manley for accomplishing a truly impressive feat.

Useful presets, nice graphic and manley, ops!! :) mainly, this eq sounds really AMAZING!

Another 5 stars UA! Well done!

Superb! Pleasingly 'un digital' sounding distortion if you push them, and the 2:1 ratio on the AE is really useful for a softer vibe. A genuine upgrade from my much loved original UA version. Be careful with that demo button!

I've never worked with tape, and I don't care if this plugin is accurate to that end or not....this thing just sounds damn amazing in it's own right. I use this thing in a million different ways, and always does it bring a smile to my face!! This combined with the Massive Passive has brought so much joy to my creative endeavors! As someone who cannot afford to spend the big bucks on all the best analog gear, I've found an alternative in UAD that has been a game changer for me.

I love the UAD MP....it's hard to believe these sort of results can even be had from a plugin! Everybody I know has heard a drastic difference in my finished tracks, and its all thanks to UAD. If you work entirely ITB like I do, then be sure to check this thing out..it's a must.

Where the loudness war began.Ladies and gentlemen, The 70's.

Simply amazing.
This reverb sounds great on anything, regardless of material or settings.
I love everything about it.
It's "the one"...... now that I have it.... I can't imagine living without it.

At first it may seem that the 1176 collection is a set of small variations of the traditional 1176. But it is much more than that!
The 1176 Rev A compressor (silver face with the blue stripe) is a completely different version of the classic with an amazing presence of mid-high frequencies and harmonics. He makes his drum set to sound lively and colorful. I was completely in love with Rev A. Test it in their overs and room mics and you'll understand what I'm saying.
1176 The Rev D version is a smooth, excellent for low and mid-low frequencies.
The AE 1176 is very versatile and works well with almost anything. The AE replaced my traditional 1176.
RecAndMix

I never had the pleasure of using one of the original units, so I can't give a good comparison. Having said that, this plugin makes the audio you push through it sound really nice. Nothing you do with it sounds bad - just different flavors of great. Highly recommended!

My name is Bryan Tyson. I have been a dedicated user of UA plugins for several years now. In that time I have helped make 7 Gold and 2 Platinum records. These plugins are the best I have ever heard. I just updated to the new 1176 rev and I must say it is the most magical plug in I own because it sounds so much like hardware. The sound level has been raised at www.deep-productions.com due to UAD. I'd never choose anything else to mix with. The new 1176 is a landmark in VST technology.

Purchased this plug-in for a project that had to sound like it was recorded in 1965. Turned up the hiss and squashed the tracks unmercifully and really pleased the client. Thought I might use it again from time to time. But, used with more subtlety it's fantastic to marry tracks recorded at different times or in different studios/locations. Use it as much or as little as needed to get the real tape sound without the hassles of real tape or a real tape machine.

Fantastic compressors, like the real thing. Good job. Thank you Universal Audio.