UAD Signature Edition Version 2
レビュー
UAD Signature Edition 2
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J. Orr
LA-2A
Since purchasing the LA-2A I have disengaged the compressor on my expensive channel strip connecting my Mic to the Apollo. I am using only the preamp section and now using the LA-2A. And the great thing about it is that on the Apollo it's in real time. It's like having the hardware. I love the ease of use, the classic sound and the subtle compression.
B. Berkovic
The perfect one
Uad Teanm is again win, great plug,work perfect,just insert,and result is here,excelent warm analog sound.
Thank you,Uad Team
C. Johansson
Top Notch!
One of UA's best plugin! Well one of the best plugins out there! Period! They nailed the distortion of a real 1176 unit. And you don't get that "clicky" transient thing that you often get with compressor plugins. Do yourself a favour for the flavour! Just buy it!
C. Soulos
Fat and Friendly
The is something going on at UAD that makes me a very happy little Vegemite.
I've always been envious what the hardware did to the sound that was falling short in the original digital LA2A plug in that these new releases reconciled without a glitch.
Thank you UAD
Cheers
Christopher
S. Belgrave
It just is!
So close to the hardware and at a fraction of the cost, makes this a complete no brainer. Unlike the 'Oxford EQ', it is what it is. Here's hoping the Neve plugs get the same quality love.
J. Moreland
Yowzah !!
Now that's a fine piece of vintage analog gear! Had a sax player send me a solo he'd played into a clip on mic plugged in to his mbox (well played, just very little fidelity or dimensionality). Then I downloaded the UAD2 v6.5 software and started that LA-2A collection demo. Wow, what a difference 10 years makes. With that "Silver" version pushed hard, I swear I can hear the output transformer, tubes and maybe even the faint crackle of a bad patch cable. In that (formerly) lifeless track I can hear the bell of the sax. A tight bottom end that wasn't there before. This LA-2A has a slightly aggressive edge, a bite that makes tracks not just sit in a mix, but sit up straight and pay attention! Don't get me started on what it does for vocals.
B. Jester
The bar was set high.
I've used the silver and grey LA2A many times. I've never had the LA2 to use ever, but I do have to say that having the CLASSIC LA sound with different time constants in eras s more then any eng or live sound man can ask for. The sound of these is AMAZING!!!! I love the response and color that they have independent of each other. UA that was a great call on the re-emulation of these I'd like to have LA3,4,5 in a collection. You have an option for any style and flavor of music with these.
J. Ferraro
Simply amazing
I love these to pieces, awesome for weird gainstaging, vox, all sorts of program material. The different version is a slam dunk, just like the 1176s. Great work UA!
A. Zaharchenko
Fantastic!!!
Great plugins!!! It's like original LA-2A's inside my Mac Pro!:-) Absolutely wonderful for vocals, strings, bass and many other instruments! In pair with the 1176 Classic Limiter Collection, provide really "sounds like analog" for my Pro Tools rig. Thank's for a great plugins, guys!!!
P.S. Now, I wait for updated UAD LA-3A!:-)))
B. Joseph
The original la2a plug
I've used the hardware version, the original uad1 la2a and several newer third party emulation plugs. The fact that so many people speak so highly of the original plug in makes me question the amount of deaf "engineers" out there... The original LA2A plug is so bad and nowhere close to the real thing. I pray this revision sees some drastic improvement. The upgrade should be free for users who already have the originals.
W. Buck
The Ultimate 1176 Collection
I was hoping UA would do MKII versions of some of their older plug-ins using the physical curcuit modeling techniques that they have developed over the past 5 years and take advantage of the power afforded by the SHARC DSP's. UA did not disappoint with this stellar collection of 1176's replicas. Dare I say they are the next best thing to using the actual hardware that they emulate. Using them on the front end of my Apollo in realtime with no discernible latency is well..........simply mind blowing.
W. Buck
Simply Stellar!
I have been a big fan of the orignal UAD LA-2A and was hoping that a MKII version would come to fruition. Like the 1176 Collection, the LA-2A Collection does not disappoint and with three fantastic flavors of the LA family for a reasonable upgrade fee getting these is a no brainer. No self respecting UAD user should be without these babies. Vocals, bass, guitar most anything can be effectively used with one of these as each unit has varying amount of compression levels to suit the task at hand.
With the LA-2 providing the slowest response, the Grey medium/average and the Silver the fastest of them all, you pretty much have all your bases covered when it comes to using LA style compression on a variety of sources. Bravo UA!
M. Poncy
Lush rush
Great for filling the space between the listener and the back wall--when used in conjunction with a dark setting on 140, really provides definition without being brittle. If I only had one reverb, it would be the 140, but the Lexi (and the 250) are great compliments.
T. Van
iI DID
I just bought it!
I compaired to 5/6 other EQ's from UA and Waves.
On vocals! the most delicate!
This EQ make my vocals sound like recorded in a prof. studio, OK I 've got an Neumann U87, and a chandler TG-2, but still I missed the presence and clarity and directness on voices let's say ,like 'from abbey road'..
So thanks for the coupon UA. You took away all doubt.
phil,belgium; Payloa rec.; sun studio,band TOY
M. Halle
FINALLY HOME
Now we talk about emulations not only being a desperate alternative to the hardware but finally, its mate. THANK YOU UA!!!
W. Krassowski
Nothing compares to this !
If i could had only 1 plugin from UAD range would be this one.
Forget about any other Tape, Saturator, nothing compares, this is the Best Plugin hands down UAD Crew !
If you need to push up your tracks to the limit ( radio ready stuff ) but still want to sound dynamic and analog this is the plugin for you.
The Amperex gives some sort of final glue/definition and makes your mix sound just more cohesive all in all, its like Black Magic, put there, move some knobs and youre fine with another 2-3dB gain without distort.
Also makes your tracks be pushed much higher on volume without distorting, this one and a mastering compressor toguether are the ultimate Mastering Chain in your Arsenal !
YOU DESERV THIS PLUG IN YOUR STUDIO !
A. Ryabchenkov
Luvin it!
Great Plugin. I like the warm sound. It glues the tracks together
J. Ford
Superb
I have been using this plugin in both the general EQ and master EQ form since I purchased it in January 2013. This is one powerhouse of an EQ. You can push the levels to 11 and it still sounds realistic. I mostly use it in cut mode as this is where I find it most open sounding. The air you can accomplish in the upper octaves is without parallel in a plugin. Thank you UA.
Joe Ford
SouthBrooklynSound.com
M. Walker
Plug-in that is what it says it is !
Haven't used the real thing for a couple of years, this sounds as good as i remember. What more can i say...Amazing !!
A. Gamez
Enhance The "In The Box" Sound Experience
The Ampex ATR-102 is a must have plug in for every engineer that wants to add warmth, depth and a 3dimensional feel to a mix. I use it for mastering and for printing stems and it always adds so much character and color to anything I throw at it. It can be used very lightly or add extreme character, according to the user's desire and input for the song, but what comes out will always be so much better that what went in.
Being a huge fan of tape machines & analog equipment, having the Ampex at my disposal without the need of calibration or demagnetization every time I use it can easily save time & a bunch of money and for only 350, this plugin is a real bad ass. 2 days into the demo and I had to purchase it, IT REALLY IS THAT GOOD!