UAD Signature Edition Version 2
レビュー
UAD Signature Edition 2
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J. Grasty
I have no idea what I'm doing and it still sounds great.
The title says it all. I am still getting used to the Ampex, especially since I have never used a "real" one. Even without a lack of knowledge, the effect on the sound is great. It has made some of the mixes come to life.
J. Grasty
I have no idea what I'm doing and it still sounds great.
The title says it all. I am still getting used to the Ampex, especially since I have never used a "real" one. Even without a lack of knowledge, the effect on the sound is great. It has made some of the mixes come to life.
J. Grasty
Exactly what I needed
The API Vision channel strip is exactly what I needed in my signal chain to get the sound I wanted. I'm not a pro, and I've never mixed on a "real" API board, but I do know that I love the flexibility that this strip affords. I had little problem achieving the sound I was looking for. The "preamp gain" added nice color. The compressor was effective, and I loved the sweetening effect of the EQ.
B. Alexander
Teletronix LA-2A
This is a warning to all. If you don't have the money to buy this plug-in then don't demo it because if you do you will be hooked. It is great!!! It is a warm beautiful sound. I can't see myself mixing vocals without it. Universal Audio you nailed it with this one.
B. Alexander
API Vision Channel Strup
I love the punch in the API. It is very warm and in you face.
J. Hiltz
Holy snare drum!
I used the Legacy LA-2A happily with my Apollo for many months, then decided to try these out. They are so good on snare its silly. I used the Legacy religiously on snare and now to have three options, all of which SMOKE the original is fantastic. I really enjoy the LA2 the most, but the others have their applications as well. They really bring out something special on snare, and all drums really. I prefer the 1176 on vocals but thats not enough to give these plugins anything less than five stars.
J. Hiltz
Get them!
I demoed these the first week I got my Apollo, and decided that the legacy version was good enough. I like the legacy 1176 better than any other comp plug I've tried. After spending several months with the legacy 1176 I decided to try out the newer ones again, and I was blown away. I guess I was just so impressed with the original that I didn't see the need to upgrade, but now I am very glad I did. All three have their own subtleties and they are all terrific. They keep up with my hardware distressor very well, and its nice being able to track with them on the Apollo with no latency.
J. Gay
Good character comp, Sidechain Filter and Mix help
Useful character compressor and an improvement over the Mk I.
Good for adding weight to drums and synths.
The side chain filter and mix knob are big timesavers. I hope these will be added to future dynamics plugins.
J. Murphy
Very impressive
I am a 2 time billboard #1 engineer, This plugin is well worth every penny it's sounds so much like the real one and sits in a mix so well you can crank it up and it doesn't disturb the mix it just puts an awesome sounds to it without cluttering up the mix
Jimmy Starr
J. Murphy
Texture like the analog unit
I am a 2 time billboard number 1 engineer. I love UAD plugins and they definitely are quality levels higher than waves plugins they sound real close to the analog unit, but all the hype about the manley massive I really thought it would be much more than it is, I do use it on my mastering but you cannot use it on mixing because of the lag. it is a good plugin I was not blown away with it but it is still well worth it has the texture of the analog unit
Jimmy Starr
T. Stephane
More & More Again
More Better , More Precise , More Fat !!
Fantastique EQ
X. Phuong
Sound excellent
Sound smooth and bright...but if it in a rack is perfect!
M. Laws
Different beast
This is nice, but when side by side to the la2a it's not as character filled - I guess it's a subtle difference that's lost on me, but still has it's uses for elements that you don't want smothered.
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!
M. Laws
Addicted
I'm finding that I can't have any production without these on now.
Mixing ITB needs plugins like this, they add so much character and elasticity to sounds it's unreal. Any genre would benefit from the touches of this!