UAD Signature Edition Version 2
レビュー
UAD Signature Edition 2
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P. Macino
Great
These have become one of my favorite to add to a number of tracks. They really help make the sound that I go after, and sometimes just merely having them in the chain brings some of that little something extra a life to a mix.
J. Cranman
Pretty Freakin Sweet
I'm going with 4 stars instead of 5 just because it's not real tape and their of course will always be some sort of analog magic, some ethereal sparkle that no digital device will ever re-capture. . . But this sounds awesome in it's own right and gets very close to my memories of nice tape machines. . . But it's kindof it's own thing. Adds a certain heft and density to the recording that is subtle but very very cool for taking tracks "over the edge". . .
J. Horvath
:-( I didn't have $2500 but I had $249 :-)
This reverb is awesome. The classic Lexicon 224 is still around after all these years. The price of the vintage unit is about $2500 or more. The vintage Lexicon 448 can be found cheaper sometimes.
So to have this unit for $249 was an amazing deal but I got it for cheaper with the store voucher coupon. Awesome.
A. Kristiansen
Finally!
I have tried a few other 1176 plugins over the years, and I just couldn`t understand what all the fuss was about. They never really sounded good to me. I have never heard the real thing, but everybody whose heard it raves about it and I couldn`t get any good sounds out of any of them. They just got spiky when you pushed them har.
But now I get it. When I push these plugins hard they get warm and raspy or bright and punchy without getting fizzy or harsh. Good job!
T. Zimmerman
Fantastic Recreation
What I love about the ATR-102, is the sound.
While you can push it to extremes for effect purposes, for me it is the subtle quality it imparts when you use it as you would the actual machine(s). Tape saturation and compression should be subtle, if the machine is set up properly. The ATR-102 gives you all the options of the real thing, with a variable sonic signatures you get from various tape speeds and formulations. This plug-in won't work magic, but it will finesse your mix to bring out some hidden qualities, which is part of the charm of tape. I actual wish UA had given us the sound of the head engaging just to round out the overall package.
Excellent plug-in, well worth the price.
T. Meagher
Sweet Sound
I really love the sound of this beast! Really love the character the preamp can bring to synths.
P. Gharapetian
great for mastering
awesome emulation of the colour a real massive passive adds. subtle controls adds for great accuracy and control of sound like the original. great job. the massive passive eq is a must for UAD owners.
P. Gharapetian
a studio must.
along with the pultec and the 1176 the la2a is a studio must have. these plugin emulations come as close as possible to the real thing. beating out other emulations hands down.
P. Gharapetian
a must
the 1176 is in every studio for a reason. and these uad plugins come a lot closer to the original than any other plugin variation of the 1176. get it. you won't be disappointed.
P. Gharapetian
it's a pultec
having used the original a few times, and owning a few clones. this software emulation comes closer to the original than most other pultec clones i've come across. great job on a classic.
P. Gharapetian
so good.
with so many settings and features, this compressor finds a way into any situation. the warmth and glue of it is 2nd to none.
M. Vila
Almost magical results!
Quite recently I did a project involving the recording of an Iberian Pipe Organ, from the XVI Century. I used a Jecklin disc with two omni small cardioid mics. When listening back the same I found that the sound was quite natural but missing some more crispness. Tried several typical tools including EQ and exciters without success. Then I tried the Studer A800 plugin... Couldn't believe in the results. The non-linearities of the tape just did the trick! It looked like I'd multi-miced the Organ! Such fine detail! And still sounding absolutely natural! If tape alone works out magic, then there are no words to describe this plugin! UAD guys you touched my heart once again! Your plugins are worth every piece of my hard earned cash!
C. Caldeira
Love that smack!
This is definitely my favorite plugin version of the dbx 160 that's on the market. I especially love it for parallel compression.
J. Alberto
Lo mejor de lo mejor
Increíble ,este es el mejor compresor que he tenido ,no te toca la mezcla llevándolo al máximo y un sonido espectacular ,gracias uad
R. Richards
Real punch
This plug-in really is my go to tool for toning my drums ,the gate is so good and just using the pre am section adds to really character to your track . I highly recommend the for an all in one plugin
E. Parise
Utterly Amazing! A Must Have!
I was at Sweetwater Gearfest and went to the UA workshop with Ryan West. He shared how the ATR-102 just has magic behind it and was he ever so right. I put this on the Master Bus of a track and the song just came alive. My favorite part is the ability to tweak the Repro High Frequency and Low Frequency knobs and Bias. Adjusting these different knobs turns the tape machine into a living EQ that gives warmth and air to the top end and tightens up the low end giving that true record sound. Utterly Amazing! A Must Have!
J. Wadman
as far as plugins go...
must say that i´m very impressed by the warmth this leveler gives my bass track whithout having to tweak to many knobs.
on the other side it gives me the Chance to work the way i like most: load, listen, like it or kick it...
worth every penny...thanks
N. Jensen
Great Comps
All these comps sound great. Each has something a little special about them.
N. Jensen
Great Comps
All these comps sound great. Each has something a little special about them.
T. Commo
My first choice now.
If I can't get the right limiting with this plug-in, then I'm doing something wrong. The 3 units that come with this collection can do what you need. You can squash things a bit without it sounding obvious (SMACK LE, I'm looking at you). I've been forcing myself to use UAD plug-in exclusively in my mixed lately and I'm finding that the end results are miles better than using my previous Waves bundle. I run out of DSP all the time on my Quad but Pro Tools 11's offline bounce/import to session feature makes it a non-issue. I like that I commit my changes faster with UAD. This plug-in collection, along with the Ampex, API Vision, and Pultec collection is all you really need to make a truly amazing sounding recording.