UAD Signature Edition Version 2
レビュー
UAD Signature Edition 2
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T. Chaz
Reverb - As precise and organic as it should be
I was lucky enough to get this one as part of a promotion package.
Admittedly, otherwise, I maybe wouldn't have considered it, thinking "oh well, I already have Plates, and UAD has such a vast Reverbs choice to offer". What a shame that would have been...
This reverb is a gem. To put it simply, it just works. And isn't that what a reverb's job should be? Be it for tracking, or mixing, it just sounds good, with a pleasing simplicity.
I love it on vocals and guitar, but I'm pretty confident it's far from being limited to those sources.
On top of all that, its DSP usage is very decent, and so it makes it a great choice for DSP hungry sessions.
Great piece of effect for your arsenal.
O. Di Dio
My favourite plate
It sounds amazing on guitars and incredible on vocals. I use it 99% of the time!
O. Di Dio
Never without
That's all you need to make your vocals sound like a pro, it takes space in the mix and gives life to any kind of mic. Great purchase!
L. Passarelli
Love it. Fantastic!
Sensational, reverb you can feel.
D. Tosi
Simple
Easy to use sounds great!
S. Simons
Amazing Oxide Warmth!!
The simplicity, and depth of character you get from adjusting very few parameters is stunning. I use the Oxide plug on voiceovers to ad depth to the voice as part of a VO chain that cuts through a commercial productions. This plug in ads heft without mud. Wow, This plugin does really special things to my VO work!
R. Pellegrini
One of my favourite reverb at all!!
Really good reverb on acoustic instruments!
J. Romero
Quality
Amazing i love it!!!
J. Romero
Quality
Love it!!!!!!!!!
K. Kessler
Great!
Back before I had any UAD, I had to use up to 5/6 different reverbs across the mix - now I can just put this Pure Plate as general reverb and it does the job very very well! Could use it on every possible source of sound.
K. Kessler
Very real!
Sounds incredible, smooth, real. I even used it on Master just for the saturation and EQ!
i. sözüer
MUST HAVE !
The channel strip is one of the best there is, I have the ssl channel strip too, but after I owned Api, I only work with that. The Guys from UAD have really done a good job. API console in the box, what more could you want
J. OBrien
One Of my favorite plugins
I use this plugin on almost every track I mix. It’s super versatile and can make almost anything sound better especially on a mix/master bus. Amazing job by everyone involved in creating this. I have a bunch of other tape emulations but this is by far my favorite one. If you are thinking about buying it you should you won’t regret it.
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
I've been using the Fairchild 670 Legacy as my go-to compressor ever since I started on the UAD platform. Recently changed to the pro-version, and it just sounds much more real. The added feature-set and the inclusion of the 660 is also really appreciated. It is really a great sounding piece of gear, and I prefer the emulation of this over most hardware-compressors I've worked with. I never had the chance to work in a studio where they had a real Fairchild, but when that day comes I will have completed my training in the 'simulator'. Until then, I choose the 670 over almost every other hardware compressor. My UA 1176 hardware comp for example haven't seen much use since I got into the 670/660 plugin. It's glorious on bass, superb on the drum-bus and really nice for mastering.
E. Bureau
Upgrade to pro!
This plugin is a no-brainer. The legacy version has pretty much become my go-to EQ since I started on the UAD platform. Super musical and creative but at the same time easy to work with. I recently upgraded to the pro version, and the difference is really substantial. It really sounds great on anything. If I want the EQ to give less 'color' to the source, I sometimes still use the Legacy-version (or a different EQ). But usually the pro version is an improvement to what-ever is fed into it. The added output-gain is super useful for gain-staging between the plugins and the addition low/high cut-off filter plugin is also really helpful, and I end up using it surprisingly often.
K. Olechowski
Definitely worth the money
Great for treating acoustic instruments/vocals. For long-tail type of reverb (i.e. sound design/ambient/cinematic stuff etc.) it might be not always your first choice but it will certainly bring a beautifully and organically sounding space to your live recordings.