UAD Mix Edition
レビュー
UAD Mix Edition
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M. Marton
Nice surprise!
I'm typically not a fan of software effects. They just don't resonate with me for some reason. I always find I'm happier with subtle tweaks to my guitar sound and just playing but I've really enjoyed using the Brigade Chorus on tracks. I think my favorite is duplicating a bass track and putting the B Chorus on the 2nd track mixing it in low with the original. Very subtle but really nice.
M. Marton
They sound good
I know it's not a glowing report but to be fair, I'm still getting used to using Pultec type EQs. I like that the Mkii of these has more "weight" and dimension to my ears when used on a track.
M. Marton
I love this reverb!
I still can't get over how good the medium hall is on the 224. Haven't even tried many other settings. It's now a permanent send bus on every mix template I set up.
A. Jones
SOLID!
Whenever I want to get in a quick SOLID mix, this is my go to plug. Place an instance across all tracks and go. Great pre-amp with solid EQ and compressor! Easy to use. GREAT PLUG!
S. Simmons
API 2500 Bus Compressor
The API 2500 has so many other features, aside from hi-end compression. I use this on drum mixes, acoustic everything, and mastering. The color and the characteristics of the audio/compression are jaw dropping, this became one of my go-to compressors. The ability to shape the audio with additional controls aside from typical compression controls make the API 2500 a surgical device, for sculpting audio.
F. Batiste III
Simply & Sonically Brilliant
Delicious saturation, excellent compression, and an EQ that is very easy on the ears makes this a feat in simplicity. Not to mention the GUI is eye candy.
M. Hatfield
Great reverb delay plugin!
This is a really great plugin with lots of options and customization. Also adds a nice tape warmth. Go give it a try!
M. Hatfield
Super tape recorder!!
Love it! Use it along with a 1073 on my main virtual channel to run my main output through. Great quality warm vintage sound.
M. Hatfield
Amazing reverb!
I use this reverb for everything! It's so good and has many great presets that can be customized. Check it out!
A. Pinto
I liked
excellent chorus effect
M. Casa Rara
Unique character - A truly emulation!
Bass and drums tracks will explode with this little baby! Used almost on every track I mixed. Thanks UAD for this amazing emulation!
M. Kourilov
Nice toy to have
Just tried it on a several things including guitars, even on a delay bus.it giving it a very unique sound
J. Moreno
Chorus in bass track
Love how it gives movement to the bass, great plug in!
K. Morris
File under "it just sounds good"
Whether for tracking or post, this plugin is dynamite. Subtle or extreme, it adds feel and color with that hard-to-define "analog warm-yet-punchy". Don't be shy about using the defaults, but also definitely pop the cover and learn the tweaks. Love the gang mode as well for tracking or applying across a mix in post.
K. Morris
Absolutely stellar
If you're already familiar with these devices or other emulations, dive right in. If you're not, spend some time with the 5-minute tips channel and discover what you're missing. Indispensable for tracking and mixing!
A. Sharapov
It just works!!!
Great chorus effect, love the sound!
r. krujeziu
The best plugin Reverb
No comment ... only you need to know what you want ...
M. Vestergaard
What a surprise
I have bought way to many reverbs the past four years so I could allow my self to buy into these UAD products for a while, but a few months ago I finally took a chance buying a uad-2 duo card in order to try the UAD Lexicon 224, because I wasnt perfectly satisfied with my previous reverbs which I did my best to sound like a Lexicon 224 which were one of my goal for a reverb. By reading forum discussions about lexicon 224 type reverbs and other reverbs for that matter I didnt come to any conclusion, so I started buying the reverbs with the lowest price tags and went on from there - but after trying the UAD Lexicon 224 I finally got the exacts reverb sound that I wanted. UAD Lexicon 224 and Native Instruments RC24 are probably the only two reverbs that I need for my kind of ambient music. When I get more used to UAD Lexicon 224 I might not need the RC24 anymore. Nor do I need all my Lexicon 224 impulse responses or 224 presets of my other reverbs in order to get the right Lexicon 224 sound. Yes, I like long reverbs. It is so easy to use UAD Lexicon 224. Most of the faders make sense to me, which is not the case with most of my other reverbs, so I dont even need to use presets with this one. I also love sound of the Valhalla Vintage Verb and ValhallaRoom, but I cant figure out the knobs of Valhalla reverbs and dont want to read the manuals, so I just used presets and that does not do it for me personally anymore. If you are looking for a reverb sound of the early 80s with long decay times and nice halls and want to be able to adjust the reverbs a little bit with ease then look no further. It truely sound excellent. This reverb is a surprise to me, because I already had similar reverbs and other high quality reverbs and because I read on a forum that some other guy was not that happy with spending money on this product, but I must say that I disagree with his comment.
j. dee
INSERT ON VOCALS..
Alright?. I really only like plugins the same way i like hardware. To do something. Like the few not the many i'm lucky and old enough to have used most of the classics. With so much tape saturation choices around i did a demo of this then purchased. I was working on an album that had extremely close deep male vocals, a bit Johnny cash like. I used an Avantone c12 clone. Really, if you want a c12 clone for under 700 this is the mic...The delivery of the vocals were impeccable but....I wanted the talent to really hear everything in there headphones so he could totally commit to every word. So if he has to commit so do i. First insert was the 1176 just to control the input into the Oxide. Then at 7ips i could drive the Oxide pretty hard and print that. The results were stunning. He was pretty much eating the mic . The whole process of setting up the small chain was around 15 minutes. Interestingly the Oxide was really was erratic with how the vocals were delivered. Unison, harmony, odd, gold. What really turned me on was the vocals were performed with only acoustic guitar and in the next 2 weeks a string quartet, trumpets, bass and a live brush drum set were added. And throughout that whole period the vocal level remained at the point it was when recording it. Thus, this is a good plug i recommend it, but i also recommend making sure you have a vocal that delivers. With out that nothing will save you.
B. Palmer
Can’t live without ‘em
I’ve used real 1176 compressors, and these things do exactly what they’re designed to do. Everything sounds better through an 1176. The AE is great on vocals, literally a game changer. After years of using hardware, I’m convinced that the old studio model has been rendered obsolete by these UA plugins.