UAD Mix Edition
レビュー
UAD Mix Edition
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h. adomako
I don’t know...
I’m gonna go ahead and say i probably don’t know how to use this bundle because I don’t like the way it sounds when i use it on a sound.
J. Kim
MEQ is must have for Engnr
Buy right now
L. Turner
Tape Saturation In The Box
Love the mojo that this Studer tape plugin adds a track. You can get that tape saturation in the box!!!
M. Dall'armellina
Amazing
Perfect in the drum parallel bus and in mastering chain
M. Dall'armellina
Amazing
Perfect in the drum parallel bus and in mastering chain
N. Sirotti
1176
Amazing, all sounds rly good
K. Nakagawa
So incredible
I should have bought this amazing Lexicon Reverb earlier.
So natural and transparent.
F. Lubrano
Great
Good job!!
T. Zaporozhets
Great verb!
I'am a fan of this reverb it's so sweet and smooth. Great job UA!
D. Ironside
API 2500 Bus Compressor
What can i say.....it sounds great ! . Adds just the right amount of character .The mix button is the key. Love it.
D. Ironside
API 2500 Bus Compressor
What can i say.....it sounds great ! . Adds just the right amount of character .The mix button is the key. Love it.
J. Jones
I'm in love with this!
So I try my best to be skeptical before gushing over any plugin, but my goodness. What a sound on the LA-2A. When mixing, I believe everything should have a purpose, or don't use it. I wanted to beef up a string sound on my last mix and the LA-2A just made it jump, and sit much better. It was the exact feel I was going for. I haven't used this on vocals yet, but that's next. Excellent job with this.
P. FRATTINI
What a beast
I purchased it cause I was looking for a Unison plugin with a useful Noise Gate...and well...it delivered on many many notes.
The pre-amp is versatile and easy to use, the EQ is a killer and the Noise/Expander is a gem.
It works on so many sources, for so many scenarios that it helps me find alternatives to the SSL suite when I want a more transparent yet equally warm solution.
P. FRATTINI
Warm and simple.
Mixing and mastering in-the-box on an everyday basis has been more than challenging in many ways, for me. But thanks to this little gem, warming up tracks, groups or mixes has never been so simple, smooth and so immediate.
P. FRATTINI
Warm and simple.
Mixing and mastering in-the-box on an everyday basis has been more than challenging in many ways, for me. But thanks to this little gem, warming up tracks, groups or mixes has never been so simple, smooth and so immediate.
F. Raxer
It’s a good gift sent by UA :)
Although I don’t use it frequently, it really give me a big surprise,I use it on some harmony or back up tracks，it really give me a enough width feeling!!(I’m Chinese so my expression is not very clearly
P. FRATTINI
The one and only.
I think I tried it on everything I could have think of. On inserts, while recording and mixing, I tried it on a mastering chain and I even tried it post-mastering. This is a one-of-a-kind tool, fitted for any and every studio. It polishes. It finishes. It fattens. It breathes life into mixes.
And the best part is that it doesn’t take a big load off your DSP. It is so useful, sometimes I can’t even remember how I used to work without it.
It takes a bit of understanding to get a real grasp of every possibilities, but it is easy to use.
You can’t go wrong with this one.
It will become a centerpiece of your chains in no time.
P. FRATTINI
The legend. The one and only.
From the day I tried the UAD hardware recreation to the day I acquired it with the Apollo x4, this unit changed the way I heard and processed dynamics.
It is warm. It is compact. It is transparent. It is colorful. It is everything. I just finished a master for some Hip-Hop project, it glued all the tracks together. I tracked all the basses for a Rock project with just the white face on the track, it helped bring authenticity and body to the drum/bass relationship. And I tracked basically all my vocals through it for the past 5 years, and it never disappoints.
It’s my go-to solution. It’s an everyday, every situation kind of tool.
If you don’t already have it, don’t think twice. Just get it.
P. FRATTINI
Impressive. A true all-timer.
So easy to use, so versatile and yet so unique.
Its use knows no limit, and this software emulation is a thing on its own.
Try on bass, it brings body to the performance. Try on vocals, just to make ´em shine. Try it on guitars, whether it’s clean, drenched in FXs or distorted to the roof, it will bring harmonics to the recording. Try it on drums, it glues any kit, any part. Heck, on full mixes, all the way to the mastering stage, this little gem will change your dynamic approach.
I love it. I use it. I can’t help it, it’s an all-time fave of mine...and countless others.
P. FRATTINI
When classic meets infinite.
It’s a classical take on a versatile yet sometimes dated effect. But it delivers. That warm analogue feel to the effect, the smooth modulations and the simple GUI makes it a no brainer for a lot of situations. Easy to use for such complex modulations. A killer. A real useful tool. Cause it sounds great on a lot of sources.