UAD Analog Classics Pro Bundle
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Analog Classics Pro Bundle
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R. Whiteman
Smooth
The best LA-2As around. Excellent collection. Sounds as good as the real thing... and far more convenient to pull up and whack on a track. Love it!
J. Poole
Add weight
Say this with a Russian accent,"It is very powerful..."
R. Brown
Love it!
The LA 2A is my go to compressor for a lot of things. I liked the way the legacy version behaved, but he did not have the sound of the circuitry like the newer one. That makes a lot of difference. If you haven’t tried the newer version, you should try it. there is a difference, and it’s a nice difference. You can even put it into an insert, and not use it as a compressor, and just have it for its tonal personality and it is pretty cool. Love it, love it, love it.
C. Wilson
Great
Awesome
M. Means
An absolute go-to for vocals
la2a and 1176 are just a match made in heaven
S. BIHL
AWESOME !
Really excellent plugin in all situations, the real thing !!!
.
My favourite
Best plugin for vocal !!!
c. dean
LA-2A
Gives me the warmth and clarity of being born
s. fujimoto
Wide range of applications
It is good to be able to use for combination technique
R. CUI
OK
OK
K. Hoang
Great Comp
Great
D. Mirny
Classic sound of 1176
The real deal. Emulated with so much details in sound it’s just amazing . Best compressor out there ! Great job UA!!!
.
Add that Magic Dust!
Up until the point of trialling the Pultec Collection, I had always preferred using Graphical EQs so I could see what was going on. The big mistake, of course, in using these type of EQs is the tendency to rely too much on what you see rather than what you hear. Being all knobs and switches, the Pultec took me back to using my ears and, boy oh boy! As good as the EQs were that I was using, I instantly knew I couldn't achieve the kind of results from them that I was getting from this collection. Absolutely delicious on Acoustic Guitar and Bass especially when combined with the 1176 Classic Limiter Collection.
C. Jaeggi
And then she smiled...a little cheeky ; )
J.Korhonen's review said it best.
I agree with T.Hansen also. Vocals are amazing here too! : )
Who said you can't buy love? Ahh, the Beatles...hmm, but what did/do they really know anyway? : / LOL
A little pissed off too actually. I don't want the whole world to become digital. But...dang...THANK YOU! UA team is the best, they just are.
Lotsa luv from me to you : )
Ok, next song
K. Hershman
Rev E
I have 4 Rev E's next to me every day at the studio but I constantly reach for this. The weight these add to a vocal or drum sounds so close to the hardware unit
C. Parker
That sound you’ve been looking for
Ever felt like your recorded vocals were missing something? Well that ‘something’ is the Teletronix LA-2A.
Being a diy musician is tough but with having the LA-2A, you can relieve some of the stresses that are often found during the mixing process. It provides a smooth and warm characteristic to the vocals giving you that ‘Radio Ready’ sound that
you’ve been looking for.
D. Formula
Welcome to classic compression/limiting
Remarkably faithful recreation of these beautiful and characteristic units.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to the pro!
I've been using the legacy version for some time and really liking it, especially on vocals. The updated version sounds way way better than the legacy version. I demoed it for vocal recordings, and first thing that hit me was how 'classic' a sound that was. Instant buy after that. Exactly how it should sound, and how I recognize it from countless 60s records. I was running a U67 into the Neve Preamp plugin, then into the Teletronix and then on tape, committing everything on the way in. You're never afraid to commit to a certain sound, when it sounds so classic! It's also great on acoustic guitars. Between this the Fairchild 670/660, and tape-compression, I don't think that I will ever need another compressor.
E. Bureau
Upgrade to pro!
I've been using the Fairchild 670 Legacy as my go-to compressor ever since I started on the UAD platform. Recently changed to the pro-version, and it just sounds much more real. The added feature-set and the inclusion of the 660 is also really appreciated. It is really a great sounding piece of gear, and I prefer the emulation of this over most hardware-compressors I've worked with. I never had the chance to work in a studio where they had a real Fairchild, but when that day comes I will have completed my training in the 'simulator'. Until then, I choose the 670 over almost every other hardware compressor. My UA 1176 hardware comp for example haven't seen much use since I got into the 670/660 plugin. It's glorious on bass, superb on the drum-bus and really nice for mastering.